![]() ![]() ![]() I bought my cron for 1350 euros and by now it is almost 2000 euros. ![]() If you see them everyday, you’ll finally start to think that 3,5K for a lens actually isn’t that much. I think I was just getting used to the prices of Leica back then. And the 50 Summicron made me take another step back, because I was used to the 50/1.2 from Canon. With the M9, I already took a step back in the ISO department, compared to my Canon 5D2. I love everything about this picture, including the model…Īctually, I wanted a Summilux, but I thought it was too expensive. I also bought an uncoded 50 Summicron with it, since the M6 came with a very old Leica 90 tele-Elmarit lens and I needed something shorter. I decided to buy a digital M and a few weeks later, I bought my first M9. I just loved the system and the intuitive layout of the camera. Within one week I knew it would work, even though I hadn’t seen a single shot from the M6. I bought that camera because I wanted to know if the rangefinder system could work for me as a documentary wedding photographer. I switched to the Leica M system almost five years ago and my first M was an M6. I could end my review with that, but I think you might like to know why I love the 50 Summicron so much. The Leica 50 Summicron is all you could ever want as a documentary, portrait, wedding and street photographer. If I were to take one lens only to a random place, it would probably be this lens. ![]()
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